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May 2013 Guide

Classically Speaking

Classical music in West Virginia and Beyond

Favorite Composer followup

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Well, the week is almost over, and I promised to post my favorite composer.  I have many favorite pieces and composers, which makes it difficult to decide. I have chosen the composer who wrote many pieces I'd put on my list of favorites...he is also the composer that wrote one of my least favorite pieces of all time.  

Ludwig van Beethoven.  Almost every time I hear or play one of his pieces, I am inspired and I hear something new.  He surprises with his harmonies, plays with rhythms, and has turned obsessive repetition into something transcendent.

I love playing and hearing his symphonies (especially the 7th...and the 3rd...and...basically, all of them).

For the piano, his piano sonatas from early through late are beautiful and engaging in all different ways, and there's the Piano Concerto No. 5 "The Emperor"...especially the moment before the third movement where there is a brief slow quotation of the music to come. I do need to become more familiar with the others.

As a string player, his quartets are also especially dear to me--from the early Op. 18 set, to my favorite Op. 95 "Serioso" in F Minor, to the complex interwoven lines of his last works.

But Beethoven has also written one of my least favorite pieces: The Consecration of the House Overture.  It's boring and uninspired, and I had to play it way too many times when my alma mater was dedicating a new concert hall.  I'll forgive him this one indiscretion, but don't expect to hear that Beethoven piece on any of my programs! (Especially when I have the choice of his other wonderful overtures--all of the Leonore/Fidelo ones, Corolian, and Egmont).

Other favorite pieces of mine include Bach's Cello Suites, Sibelius' Symphony No. 2, Britten's Peter Grimes, Berlioz's Harold in Italy, Tchaikovsky's Symphony No. 4 and Eugene Onegin, Shostakovich's String Quartet No. 8, Haydn's Symphony No. 82 ("The Bear"), Ruth Crawford Seeger's String Quartet, Mozart's Don Giovanni, and for contemporary favorites Peter Lieberson's Neruda Songs and Osvaldo Golijov's Ayre.  And I need to make myself stop adding things to this list, because we could be here a while...but for overall body of work by one composer, Beethoven is my guy.

I'd still love to hear about your favorite composer, so create an account over on the side of the page, and leave me a note.  As for me, I think I need to go home and re-read some of Maynard Solomon's Beethoven biography before the fireworks.

We'll have a new Friday question next week, but for now, have a happy Fourth of July!

Glad to see you all are back up and running!

I'm not sure I have a single favorite composer... but I can name a few top contenders! My horn and history biases are well reflected, I think :)

- I've had a love affair with Mahler ever since high school, when the WVSO played his sixth symphony with Thomas Conlin and the three blows of fate were rendered with a large mallet striking a packing crate the size of a VW. My favorite horn excerpt is the obbligato horn part in the third movement of his fifth symphony. Someday I really want to hear somebody play the Kindertotenlieder live.

- For my money, the best piece of solo/chamber lit for horn (and one of the best chamber pieces period) is Brahms' op. 40, the trio for horn, violin, and piano. Valve horn performances, while cheating, are acceptable only if the performer accounts for the varying tone color that a valveless horn would produce, especially at the end of the third movement!

-Of all the stuff we played in college, my two favorites were definitely Shostakovich's fifth symphony and Carl Orff's Carmina Burana. Not only are they both wonderful pieces (the Shostakovich performance was especially powerful), but they both have fascinating, controversial histories. There's nothing like music and mystery!
Posted by: Sarah1283 at 7/9/2008 9:58 PM


Thanks for your comments! I love to hear stories of how people encountered music that they love. Also good to hear some recommendations from a horn-player's point of view.

I've heard a few Mahler symphonies in concert (Nos. 1, 6, and 3), and they've always been amazing experiences-beautiful melodies and everything larger than life. (I can definitely hear why brass players are drawn to his music).

My favorite description of Mahler (I don't remember where I read it) is "high tragedy and low comedy"

The WV Symphony is playing Mahler's Third Symphony this year November 13th and 14th, so I think we'll be writing more about him here (stay tuned!)
Posted by: Mona Seghatoleslami( Visit ) at 7/14/2008 10:16 AM


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